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Véronique Gens (born April 19, 1966, Orléans, France) is a French soprano. She has spent much of her career recording and performing Baroque music. Gens studied at the Conservatoire de Paris and won first prize of the school. Her debut in 1986 was with William Christie and his Les Arts Florissants. She has since worked with Marc Minkowski, René Jacobs, Christophe Rousset, Philippe Herreweghe, and Jean-Claude Malgoire. While she started out as a Baroque specialist, she has become in demand for roles in Mozart operas, and an interpreter of songs by Berlioz, Debussy (see also Beau Soir), Fauré and others. Her numerous recordings include many works by Mozart and Purcell, as well as Joseph Canteloube's Chants d'Auvergne and Berlioz' Nuits d'Ete. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
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Il Seminario Musicale
Lella Cuberli
Vivica Genaux
Nuria Rial
Stabat Mater pour soprano, contralto, corders et basse continue: Stabat Mater dolorosa
Wolfgang Amadeus Mozart Le Nozze Di Figaro (The Marriage Of Figaro) Opera K 492 (Act 2 voi Che Sapete Che Cosa E Amor)
Stabat Mater pour soprano, contralto, corders et basse continue: Eja Mater, fons amoris
La Belle Arsène: Aria. "Où suis-je ?…"
Hippolyte Et Aricie: Acte III, Scène 1 - Air De Phèdre: Cruelle Mère Des Amours
Après un rêve Op. 7 No. 1 (Romaine Bussine)
No. 1, Introduction
Dido And Aeneas, Opera, Z. 626 (Act 3 'When I Am Laid In Earth' [Dido])
No. 2, Allô, allô…
Etudes latines: Néère
Geneviève: Introduction, récitatif et air de Geneviève "Seigneur ! Est-ce bien moi que vous avez choisie ?"
No. 3, Allô ! C'est toi ?
Ariane dans l'isle de Naxos: Scene. "Mais Thésée est absent…"
Salve Regina pour contralto et cordes en F minor: Ad te clamamus
Stabat Mater pour soprano, contralto, corders et basse continue: Vidit suum dulcem Natum
Don Giovanni: Overtura
Le Bourgeois gentilhomme, LWV 43: Canaries
Chanson triste
La Clemenza di Scipione, Op. 14: Duo "Me infelice che intendo…"
No. 4, Hier soir, je me suis couchée tout de suite
Médée - Acte II, Scène 4 - Air de Néris: Ah! Nos Peines seront communes
Pergolesi: Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa (Soprano, Alto)
Sept mélodies, Op. 2: 6. Hébé
Circée: Air "Désirs, transports"
Amadis, LWV 63: Air "Toi qui dans ce tombeau"
Don Giovanni, ATTO 1: Ah! del padre in periglio
Alceste, Wq. 44: Aria. "Divinités du Styx…"
A Chloris
Castor et Pollux: Acte I, scène 3 - Air de Télaïre: Tristes apprêts
Trois jours de vendange
Lalla-Roukh: Air de Lalla-Roukh "Sous le feuillage sombre"
No. 5, Allô, chéri… si on coupe, redemande-moi tout de suite
No. 6, Quelle comédie ?
Romance de mignon
Armida abbandonata HWV105: Aria: In tanti affermi miei
Don Giovanni, ATTO 1: Madamina, il catalogo è questo
Don Giovanni, ATTO 1: Fuggi, crudele, fuggi
La Clemenza di Tito, Wq. 16: Aria. "Se mai senti…"
Don Giovanni, ATTO 1: Notte e giorno faticar
No. 7, Souviens-toi du dimanche de Versailles
Don Giovanni, ATTO 1: Leporello, ove sei?
Armide: Passacaille
Les Béatitudes: Mater dolorosa "Moi, du sauveur, je suis la mère"
Les Nuits d'été Op. 7: Villanelle
Pergolesi: Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem Natum (Soprano)
Armida abbandonata HWV105: Recit: Ma che parlo, che dice?
Fanny Morna, ou l'Écossaise: Aria. "Ô divinité tutélaire…"
Chants d'Auvergne, Vol. 1: No. 2. Bailero
No. 10, "Oh ! Non, mon chéri, surtout ne me regarde pas"
Les Grandes Motets: Tunc repletum est gaudio nostrum
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